A (fake) retrospective on two years of work, confusion, and self-mythology. A work-in-progress book and installation that is not a tidy portfolio or linear story, but a collection of fragments — projects, images, lists, diagrams, failed attempts, and small victories that somehow hold together. It’s both a confession and a construction: a way of making sense of two years of work that refused to make sense on their own. At its heart, A Glass Half Full explores social mobility, class transition, and the myths we tell ourselves. It is about learning new cultural codes, performing in spaces once foreign, and discovering the discomfort of becoming someone you never intended to be. Through documentary autofiction, I tend to mix fact and fiction, emotion and analysis, tracing a life between classes.

The result is a series of half-attempts — textual, visual, and digital — capturing the instability of identity, the contradictions of “class defection,” and the tension between who we are and who we seem to be. If the glass is half full, it is because the question of whether to drink or pour it out is still unresolved. On going project, 2025, Brussels.